Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

When a drug to replicate plant cells creates a sentient form of flower, the planet is over taken by flora and humankind is depleted. A Chinese task force, a widowed father and his young daughter fight to survive in a mission to inject an antidote to the core of the plants to reverse their growth.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
The sequel to the 2010 live-action movie focuses on sibling rivalry.
Clearly, in the end, Allison raised a responsible child because she knew that her "friend" was doing something that made her uncomfortable and turned away from her. No worries, Super mom was already one step ahead of her.
A dark film in the tradition The Brother’s Grimm.
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.