Yoko is busy with her work and regularly returns home to take care of her mother, Chieko, who suffers from dementia, together with her father, Tadakatsu. Chieko's condition has been progressing rapidly in recent years, and she even forgets that Yoko divorced her a few years ago. One day, Yoko is introduced to a service called 'Rental Family' by her business partner. Yoko is puzzled by the unfamiliar service, but calls a rental husband to come to her home to do housework. Yoko finds a kindred spirit in Go Matsushita, the rental husband, and a child actor he knows, Shuri Yasuda, as the daughter... Chieko's dementia progresses day by day, Tadakatsu clumsily struggles to support Chieko, and Matsushita and Shuri take on the role of the rental family despite their complicated circumstances. Yoko spends time with the "family" around her and comes into contact with a new form of happiness.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
The story of the singer's career in her Sweetener World Tour is told in this featured documentary film.
'Don't Make Me Go' is what you would expect, Wally and her father, Max, clash tremendously and don't understand each other. Although, it's very heartwarming.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
Taika Waititi and the cast of Thor: Love and Thunder have been hyping up the gayness of this movie, and while there are queer characters, it's not quite the representation we were hoping for.
