Inside the 'Diary of a Wimpy Kid: Rodrick Rules'
The sequel to the 2010 live-action movie focuses on sibling rivalry.

Sabit spends all his time in a shabby, old neighborhood cinema that shows pornographic films. The cinema is his home, his universe, his everything. This place is a different world because, in addition to all this, there are different types of people who frequent the cinema. Drunks, smokers, heroin addicts, gamblers, and perverts live in different worlds. These are the types of people we might encounter in the novels of Dostoevsky, Bukowski, or Kafka. One day, when manager Celal quits his job, the cinema owner assigns Sabit the task of bringing films from the film companies in Beyoğlu. Sabit sees Zerrin Öz, once a sex symbol at the film company, and becomes obsessed with her. He stalks her obsessively, constantly watching her and calling her on the phone. This obsession will lead him into a dangerous adventure.
The sequel to the 2010 live-action movie focuses on sibling rivalry.
Based on Bethany's autobiography "Soul Surfer: A True Story of Faith, Family, and Fighting to Get Back on the Board," this heartwarming film tracks the struggle to pursue normalcy and ambition after a major injury.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
Is God Is tells a harrowing tale of retribution, sisterhood, and gender based violence. Far too eerie and clever to be an ordinary slasher, but too gory and merciless to be an ordinary thriller, Is God Is will appeal to the highbrow horror lover with generational trauma anywhere.
The film's Incluvie rating is off the charts. It features Black, Muslim, queer, trans humans whose moms hold them up, fight for them, and love them for who they are...making anything possible.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.