
Defne experiences events at night that she cannot make sense of. When she goes on vacation with her boyfriend Kaan, these troubles become more frequent. Not wanting this situation to damage her relationship, Defne decides to break up with her boyfriend. Overcome with grief and helplessness at the end of their relationship, Kaan decides to solve the problems his beloved woman is facing and goes to the village where Defne's mother lives with his cousin Kemal.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
The May Incluvie Movie Highlights features 3 fantastic coming-of-age films. We explore butterfly-inducing Sneakerella and Crush, and the sadly timely feature - The Fallout, about the after-effects of a school shooting.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.