'American Fiction' Speaks Truth
American Fiction is a genuinely entertaining film with a few lessons.

“Regina Spektor: Live in London” — that’s what it’s called, and that’s what you get. Eighteen songs, performed in December 2009 at the Hammersmith Apollo, with an absolute minimum of onstage chatter and dollops of stylishly grainy, MTV-like filler: Ms. Spektor on the plane from New York, driving through London, applying makeup before the show. It’s perfectly tasteful, a fine showcase for her music and, more important, a fine promotional tool for the accompanying CD and DVD (which — surprise — contain four additional songs).
American Fiction is a genuinely entertaining film with a few lessons.
Two young girls meet in the same neighborhood unexpectedly as they embark on a new adventure using their imaginations as this movie brings strong representation among women.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.
This Netflix series is about Ashley Garcia, who gets a once in a lifetime opportunity to work at NASA.