“The Fog”: Women in Classic Horror
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

While Mauricio Redolés long lived a life of smoky bars and bohemian chaos, his son Sebastián was raised amidst the risks of underground nightlife. Over time, that connection transformed into a powerful artistic partnership that set them apart from a typical father-son relationship.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.
I have no idea how getting an abortion is still not a basic right at this point, but that means the fight is far from over. So, films like Happening are ever-relevant.
The film's Incluvie rating is off the charts. It features Black, Muslim, queer, trans humans whose moms hold them up, fight for them, and love them for who they are...making anything possible.