Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Redhead from Manhattan poster

Redhead from Manhattan (1943)

Lupe Vélez plays a dual role, twin sisters Rita and Elaine. After escaping a torpedoed ship, Rita shows up in Manhattan, where she takes the place of her Broadway-star twin sister Elaine, who's having problems with her marriage and needs to make a getaway. Neither Elaine's husband or Rita's saxophone-player boyfriend are aware of the switch.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Lupe Vélez plays a dual role, twin sisters Rita and Elaine. After escaping a torpedoed ship, Rita shows up in Manhattan, where she takes the place of her Broadway-star twin sister Elaine, who's having problems with her marriage and needs to make a getaway. Neither Elaine's husband or Rita's saxophone-player boyfriend are aware of the switch.

Rating:NR
Genre:Comedy
Directed By:Lew Landers
Written By:Joseph Hoffman
In Theaters:5/6/1943
Box Office:

Runtime:64 minutes
Studio:Columbia Pictures

Articles You May Like


"Nobody 2 is Ridiculous in All the Right Ways"

“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.

Nilufer Ozmekik

"First Girl I Loved": A Well-Intended but Ultimately Flawed Story of Identity

Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian. 

Marisa Jones