Pro-Capitalism and other Antiquated Ideas on Court TV
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.

A remote corner in the kingdom of nature is the ideal place for reflections about the meaning of life and the hero’s role in this world: this hero is Rodion Raskolnikov. His tactile and sincere communication with the current of the water in the clear mountain river seems to turn to the Koranic question on man’s original matter – the transparent liquid with which Raskolnikov tries to wash his face whilst dirtying himself. Water is the ‘mirror’ in which the hero sees himself, set against the issue of the ‘superflu- ous man’ and his own destination. Is he a worm? Is this worm disgusting?” – Raskol- nikov asks his reflection. The internal experiences, along with visions of the caring Sonya singing him a lullaby – are an invented reality into which Rodion has escaped, but he is forced to return to the former world, where things are not as they seemed...
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”