Maka, a Tongan superfan, will do whatever it takes to get tickets to the Tonga v France Rugby World Cup game - even if that means promising to deliver a brass band for the pre-match entertainment. Only problem is, the band doesn't exist and Maka has four weeks to make one. Inspired by a true story.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
What happens to an inseparable bond when love for competing morphs into competing for love?
