Produced, written, and directed by the veteran Elmer Clifton (here for obscure reasons billed Elmer S. Pond), Red Rock Outlaw had the audacity to feature its novice star, Bob Gilbert (who also wrote the original story), as identical cousins -- one good, the other bad. The good Gilbert, a rancher, enjoys a campfire singalong with the members of s stranded girls' band, falling in love with Carolina (Ione Nixon), a bleach-blonde looker, along the way. The bad cousin, meanwhile, is scheming with neighboring rancher Jim Martin (Forrest Mathews) to have nice Bob killed so they can combine their properties. Produced in 16 mm back in 1946 or 1947 and released on States' Rights by Screen Features, Inc., Red Rock Outlaw was merely an excuse to showcase a series of country & western specialty acts, including Wanda Cantlon, who, according to an onscreen credit, introduced the song "Alimony" and supplied choreography.
Elmer Clifton
Director
Bob Gilbert
Terry Larson / Jeff Larson
Ione Nixon
Carolina
Lee 'Lasses' White
Lasses
Forrest Matthews
Jim Martin
Billy Dix
Sheriff
Reno Browne
Reno - Troupe Driver Manager
Wanda Cantlon
Daisy Nell - Singer / Dancer
Tennessee Jim
Tennessee Jim
Ginny Jackson
Troupe Member (as Virginia Jackson)
Joyce Gardner
Troupe Member
Pinksy Patek
Troupe Member
When it comes down to it, The English explores what happens when power is unchecked and how those who seem powerless, have more strength than most through their convictions for justice.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
Street Fighter cannot be genuinely recommended, even if it is abundantly clear that much effort was expended.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
YouTube surpasses Netflix but there is more to the story.