It’s a bird, it’s a plane…it’s "Harriet"!
This is not a story of oppression but a story of liberation.

After the Tet Offensive of 1968, the Command of Group 559 assigned Transport Stations 9 and 12 to urgently recruit young female volunteers for training as truck drivers to supply the battlefield. The story follows four women—Chau, Han, Sa, and Thuong—who drive from Ben Thuy to the Western Truong Son. During their missions, the sacrifices of Han, Thuong, Sa, and Chau’s brother leave her with deep sorrow. Yet, with determination and strength, Chau continues to the battlefield to fulfill her duty.
This is not a story of oppression but a story of liberation.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.