Red Bells Part II: I Saw the Birth of a New World 

By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

A brave Indian woman rises from an oppressive background to become an inspired leader for women and men alike around the globe.

‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.

This reboot of The Wonder Years is told from the lens of a Black man.

The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end