Red Ball 

"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.

Poor Black characters are usually surrounded by crime and violence, while poor White characters are portrayed as noble and hard-working.

A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

It’s a cool looking Marvel character right off the page!  He’s got these glowing eyes and he just kicks ass everywhere he goes, seemingly impervious to pain.  

On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf,"  but all the more insightful, and much more animalistic at its core.

When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.