
Documentary about the generation of female artists who - having emerged out of the tumult and fervour of the late 1960s - aimed to reinvent the arena of art and radically change the way women were perceived. On both sides of the Atlantic, women were using experimental new mediums and questioning everything - from the way women were presented in magazines to their right to equal pay. Mary Kelly caused outrage in the tabloids by displaying dirty nappies at the ICA, Margaret Harrison's depiction of Hugh Hefner as a bunny girl resulted in her exhibition being shut down by the police, and in Los Angeles Judy Chicago told her students to only study work by women. The programme tells the story of these revolutionary artists.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
This live-action Barbie movie brings strong feminism and topics about blondes.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
Emma Stone (Estella and Cruella) and Emma Thompson (the Baroness) did not come to play around in Cruella. They embodied the perfect balance of sinister and sincere. Estella went through a great hero's journey, and what a journey it was!
Personalities clash and tempers fume in a family-run Chicago restaurant