Aris, 27 years old, returns home after a long journey... His mother, an eccentric and lonely woman lives together with her secretary, Sylvia and her loyal gardener mute Christos. Her house is famous not only for its view in Acropolis but also for his pool: the deepest in Europe. Determined to leave behind his past and start a new life, Aris, will search the secret of his youth, he will fall in love with a poor girl, Alexandra and he will confront his own ghosts. In the meanwhile a fire turns Athens into a living hell...
"First Day" is a trans kid slice-of-life tv show that brings desperately needed diversity to coming-of-age stories in mainstream media. Here's a show that get's it right by having a trans actress in a story centered on trans girlhood.
Cartoon Saloon is an animation studio that should be appreciated more. They tell unique stories with unique animation, proving that 2D animation is still alive and well.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
