The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

Marco Valois wants to direct a serious movie inspired by the life of a soldier living with post-traumatic stress disorder. He soon realizes that the young soldier home from Afghanistan won't open up that easily. Marco, willing to do just about anything to get his story, follows Éric Lebel to his hometown.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
As legal dramas go, we rarely see an African-American actor in the lead role. "The Burial" has several.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.
Sailor Moon Crystal wisely makes the decision to adapt Season 4's Dream Arc into an epic anime movie where the Sailor Guardians shine brightest.
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.