“Birds of Prey” and the Fantabulous Emancipation from the DCEU
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.

'What happened? Where am I?' The man who wakes up alone in the woods has many questions. Is he dead and in the hereafter? The voice of God soberly answers his questions: Yep, that’s right. Traffic accident. But it’s not that bad, because everyone eventually dies. All the man’s questions, also about the meaning of life, are answered. In an equally entertaining and stimulating dialogue in English, the film evokes a comprehensive image of the universe and man’s place in it.
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.
Sam Levinson's latest film can't keep up with the excellence of its performances.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
A best friend that will stick with you to the end, on a group trip from hell, is someone to die for.
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.