“The Odyssey” and Moving Forward
This showcase of Hollywood’s finest talent will certainly be around come awards season, and much deserved

Each and every resident in a Halfway House has not only made mistakes which have affected them personally, but they have made life hell for those around them, especially family and friends, but also neighbors, law enforcement, and any other number of random strangers they have come across. Well, although our primary job here at the House is rehabilitation, we also take it upon ourselves to make sure the appropriate retribution is doled out. Payback for these dumb fucks is swift, but also quite enjoyable for the punishers. Raw, gaping, swollen holes abound. We make sure that every resident knows who is boss! When they aren't sucking House Manager dick or taking it up the butt, they are getting slapped around and screamed at. After all, we want them to return to their communities better people. If we get our dicks wet in the meantime, all the better.
This showcase of Hollywood’s finest talent will certainly be around come awards season, and much deserved
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.
“Jumanji - a game for those who seek to find, a way to leave their world behind...” A nostalgic classic that remains unnerving, "Jumanji" draws audiences into a chilling adventure.
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.