Every September Sydney's inner-suburban Leichhardt Council re-elects it mayor. Incumbent Larry Hand was popular with the citizenry but they don't vote for mayor - the 12 councillors do - and after three years of Larry, at least four councillors were after his job. When film-makers Bob Connolly and Robin Anderson settled in at Leichhardt Council in early 1994 the knives were already being sharpened. A battle royal was in the making, and so it came to pass. By the end of September Larry had fought the fight of his life, with Connolly and Anderson documenting every bit of it on film. Ambition, courage, envy, hatred, loyalty, betrayal, disaster, triumph... in other words, a classic study in politics.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
The death of Grace's father brings challenges as the family tries to preserve their ranch.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
Everyone needs a BFF and a "wing person" like Yumi (Chloris Li). Li brings the "straight person" persona, literally and figuratively balancing James Aaron Oh's perfectly timed comedic delivery as the unlucky-in-love.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
