'Unsolved Mysteries': Netflix’s Revival Series is as Eerie as it is Compelling
'Unsolved Mysteries' is a reminder that not everyone has closure in their lives. Things will happen that have no known explanation, and seemingly come out of nowhere.

For this sequel to the unexpectedly successful Ratapan Anak Tiri (Lament of a Stepchild), Susy is bullied by her stepmother, who is her father’s third wife. However, her stepsister Umi, who is the biological daughter of her stepmother, always defends her. Reno, her schoolmate, loves Susy but it is not mutual. On one occasion when he eats at her place and makes the floor dirty, Susy is thrown out of the house, when her stepmother slips, knocks her head and is unconscious. Umi joins Susy and they stay over at a friend’s house. Umi misses her father, so both girls separate. The stepmother, who is looking for Umi, comes across Susy on the streets and verbally abuses her. Susy now dares to fight back and challenges her.
'Unsolved Mysteries' is a reminder that not everyone has closure in their lives. Things will happen that have no known explanation, and seemingly come out of nowhere.
A collection of the ten best films that captured William Shakespeare’s pathos the best, both for the diversity they bring, and of course “the aesthetic."
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.