Rastro Mortal 

There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

An adaptation of the book series ‘The Knife Of Never Letting Go’.

I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.

The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.

Summit Station, the longest running lesbian bar in Ohio, was one of the places that made lesbian community possible.