Érase una vez en la Patagonia 

Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York

Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.

I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.

KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.

Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.

It is not hard to make a musical biopic that pleases audiences and draws a profit.  Michael is no exception.