A dentist obsessed with young women in uniform stalks two sisters. Yue Po Wan, the older sister, is a policewoman who is romantically pursued by a thug just released from prison. Jenny, the younger sister, is a schoolgirl and a girl-guide - and has been invited along with all her schoolfriends to the dentist's holiday home.
Aman Chang Man
Director
Athena Chu Yan
Yue Po Wan
Francis Ng Chun-Yu
Bulky Tong Chee Kong
Joe Ma Tak-Chung
Philip Wong
Jane Chung Chun
Jenny
Yeung Fan
Mabel
Ronald Wong
Shitty
Teresa Ha Ping
Po Wan's grandmother
Rocky Lai Keung-Ken
Gang leader at food stall
Tsang Yin
Parking guard
Chan Po-Chun
Peter
Kong Fu-Keung
Criminal at the food stall
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Based off the book of the same name, ‘The Miseducation of Cameron Post’ (2018) follows teenager Cameron Post (Chloë Grace Moretz) after she is caught being intimate with another girl and then sent away to a gay conversion camp.
This animated Christmas movie is based on the classic novel of the same name.
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.