Factory worker Osamu (Akira Sakai) has been despondent ever since he saw his girlfriend getting gang-raped. He has a difficult time thinking of anything else. Meanwhile, his boss asks him for a favor. Apparently, the bossman’s son is too-o-o serious about a girlfriend, Yuki (Minako Mizushima). The boss wants the relationship destroyed and asks Osamu to arrange an “unforgettable situation.” Osamu and his friends stalk the lovers to a secluded vacation house where rape delirium erupts (although Osamu isn’t capable of participating). A bit later the boss and two women show up, presumably to check on the results. But Osamu’s gang is completely unhinged from the assault and they attack the newcomers, turning the place into a sexual hell.
Katsuhiko Fujii
Director
Minako Mizushima
Yuki Kitamura
Megu Kawashima
Sanae Yoshikawa
Emi Tsukuba
Emi Tsukuba
Akira Sakai
Osamu Maruyama
Noboru Maro
Nishida
Midori Mori
Michiko Kitamura
Rei Okamoto
Kyoko Kawashima
Kenji Shiiya
Takahashi
Jun Takahashi
Masao Kawashima
Midori Wakamatsu
Keiko Sakurai
Minoru Ôkôchi
Masayoshi Kawashima
Like millions around the world, I've been waiting four years for the renowned #SnyderCut. I'll never forget sitting in the theater on opening night, witnessing a CGI mouth on Henry Cavill's face about five seconds into Justice League. That's a thing of nightmares if I must say. Anyways, right then and there, I knew I desperately needed Zack Snyder's film.
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
The Olivia Wilde renaissance is upon us.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.