A Queer Review of the Austin Film Festival (2023)
Highlighting the many ways in which AFF 2023 illustrated that the queer experience is not a monolithic one.

Three men are possessed by the spirits of ancient samurai determined to build their master's castle, even if they must use cardboard.
Highlighting the many ways in which AFF 2023 illustrated that the queer experience is not a monolithic one.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
In season 2 of “Never Have I Ever," Devi make many mistakes in a messier season that explores the complex lives of its diverse cast more in-depth than before.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.