"The Woman in Cabin 10" (2025) Should Have Stayed Faithful to the Book
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

In rainy, nocturnal London, photographer Miles obsessively captures unforgiving, morbid portraits of oblivious strangers. When not selling them, he shares them online as 'Rain Catcher'. But soon he notices something unsettling: a mysterious woman watching him and photographing him—turning the lens back on Miles. As her gaze closes in, his world fractures—his work is sabotaged, his name defamed, his loved ones endangered. Consumed by paranoia, he spirals into a dark, delirious obsession to uncover the truth behind her motives. Based on the 2018 short film of the same name.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
This captivating film can only be truly appreciated by seeing it firsthand. There are not enough words to describe the terrible beauty one experiences while watching it.
Eventually, “Hobbs and Shaw” introduces us to a Samoan community. Clearly, Johnson’s Samoan roots are on display. Quite frankly, I found this section of the film very intriguing. The “Fast and Furious” franchise has a solid track record in the diversity department
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”