The day the world ended, they thought the fight was over. They were wrong.
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
When Juana tries real sushi for the first time, she is immediatley smitten by it and discovers a passion she never knew she had.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
