Aussie Cops Keep It Real In "Critical Incident"
Critical Incident is worthy of a weekend binge, keeping you guessing right up until the end.

A thirty-six year old radio show host embarks on a cross-continent search to find herself, in the process discovering that her sex is "stuck" and waging a valiant effort to release it while simultaneously accomplishing her many unmet goals in life. Carolina (Beatriz Rico is in her mid-thirties, and her life is falling apart fast: not only has annoying blonde Lula (Imma del Moral) been recruited to take over the show that Carolina created, but the besieged hostess is beginning to feel that time is running out for her to chase down the dreams of her forgotten youth. In search of guidance, Carolina turns to openly gay carpentry shop owner Compass Rose (Jorge Luis Gonazáles). Compass is Carolina's best friend, and while his advice often veers towards the hysterical side, the two quickly hatch a plan to travel to India in search of a guru.
Critical Incident is worthy of a weekend binge, keeping you guessing right up until the end.
For those tranquil houses with white fences, what is happening behind every closed door?
Those perfect Summer or Fall days. The sun is shining, the temperature is JUST right, and you've got nothing else to do. Therefore, isn't it time to get outside and take a nice stroll through the park, or along the shoreline (should you be that fortunate), or even just around the neighborhood? Sure. BUT.....if one lives in the America found in the newest film adaptation of the work from horror author/cultural icon Stephen King.....doing this SHOULD be the LAST thing you hope to find yourself engaged with.
The Franke kids seemingly lived a normal life, until their mom met the infamous Jodi Hilderbrandt.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.