Making a Killing in 'Killers of the Flower Moon'
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

Sylvia, leaving prison, wants to return to the world outside the bars and reclaim her first love, Aneta. Life decisions made by Aneta (marriage and motherhood) make it difficult for women to be together again. Not fitting into the modern world, Sylvia will once again try to fight for her place by clashing with the harsh realities of a society that rejects people with convictions. Will love overcome the reality in which both women live?
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
A young girl named Copi and her pet dog Xico travel into the mountain when they hear that something's not right.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.