“Street Fighter” is Diverse, But That’s It
Street Fighter cannot be genuinely recommended, even if it is abundantly clear that much effort was expended.

The movie adaptation based on the legend of Raden May Ayu. It follows the original tale rather closely, though a few variations of the legend do exist. The essence of each of the variations is more or less the same: Radin Mas Ayu is the baby daughter of Pangeran (brother of the Sultan of Java) and a court dancer; she is forced to go on exile to Temasek with his father after the Sultan disagrees with her parents' marriage and burns their house down, killing her mother. Radin Mas Ayu grows up to be a pious and filial daughter, but is despised out of jealousy by her stepmother. She eventually sacrifices herself as she shields her father from a murderous attack.
Street Fighter cannot be genuinely recommended, even if it is abundantly clear that much effort was expended.
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.
Attack of the Killer Tomatoes: Organic Intelligence is not merely the fourth sequel in a cult classic film about a delicious vegetable apocalypse: it’s a love letter to slapstick, sight gags, and the original 1978 film. It’s also a meta-comedy, spy-thriller parody taking place in a world where the original film series was a documentary about the horrors of the Tomato War that the government covered up by convincing everyone it was a comedy. Taking place in 2026, Organic Intelligence sees genetically modified tomatoes grown out of control and rising up to attack humanity again - luckily, Agent Maria Sifuentes (Myrna Velasco) of the Federal Vegetable Investigation Bureau is there to uncover the corporate conspiracy behind it, and she won’t take no for an answer.
2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.