RACHEL’S BRAIN, a video collage of a solo to music commissioned by 1987’s Los Angeles Festival, explores the human brain and its place in Gaian evolution. Rosenthal derives witty and provocative visual metaphors and quotes from science in order to explore the disproportionately developed fascism of our most celebrated organ. Rosenthal plays several personae, among them Marie Antoinette, the “flower of the Enlightenment”, and a familiar hominid ancestor of ours. The piece ends on an existential note,Rosenthal searches for a non-existent deity whose absence remains obscured behind the clouds.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
Housefull 5 attempts something bold with two endings — but does the gamble pay off? Read this spoiler-filled review for a breakdown of both versions, standout moments, and why it might be the franchise’s most forgettable entry yet.
It's sexy, regardless of what else is going on.
J Brooke, Incluvie Guest Columnist on 'Life and Beth' and 'Sort of': while living one’s truth is freedom, speaking it as a mandatory assignment can become captivity.
