Rabbit's Foot 

A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly. 

Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Leveraging the cockiness of many of his interview subjects, Theroux created an exposing documentary that shows just how scary these sections of the internet can be.

Chickenhare and the Hamster of Darkness explores true identity through exploration.