In 'The Patient,' Patience Doesn't Really Pay Off
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.

Kittu / Krishna is a cab driver who saves his money with the cab owner. When the owner refuses to return his money back, Kittu kidnaps owner’s daughter Nandu. Nandu who is fed up with her father’s unilateral decision about her marriage is happy with the kidnapping. They fall in love with each other in the process. When they were about to accept the ransom money, she gets kidnapped by another kidnapper. The rest of the story is all about who kidnapped her and the kidnapper’s connection with Kittu
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
A sweet, singalong distraction with several positive messages.
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Dwayne Wayne and Whitley's youngest daughter takes us back to Hillman College in this iconic 90s sequel.