Joanelle Romero Discusses Native Indigenous Representation
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.
Quiet Life
Quiet life ends when the engine of a tank starts up. And trying to fire a shot, whether it is for real or for training purposes, can lead to irreversible consequences. Sometimes these consequences become the beginning of someone’s personal life.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Quiet life ends when the engine of a tank starts up. And trying to fire a shot, whether it is for real or for training purposes, can lead to irreversible consequences. Sometimes these consequences become the beginning of someone’s personal life.
Rating:
Genre:Drama
Written By:Ivan I. Tverdovsky
In Theaters:
Box Office:
Runtime:7 minutes
Studio:
Cast
Articles You May Like
‘The Wrong Missy’ is a Miss
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
‘Cursed’ is Struck with a Bland Curse
Cursed is based on Frank Miller’s graphic novel, and is a retelling of the Arthurian legend with a twist. Instead of King Arthur gaining Excalibur, a teenage sorceress named Nimue (Katherine Langford) does. Her people — the Fey — are being hunted down, and so Nimue will do whatever it takes to save them.
Incluvie Classics: Strong Women and Gender Expression in Alfred Hitchcock's “Psycho.”
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
I Know This Much Is True: Double the Ruffalo, Double the Brilliance
I imagine that it would be a dream job for an actor to play the parts of twin brothers Dominick and Thomas Birdsey in I Know This Much Is True.
The Rape Post-Memory in 'Grbavica'
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.