“The Whiteboard” Review: A Little to No Dialogue Film With Characters that tell an Endearing LGBTQ Story.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.

When the first lockdown is loosened, filmmaker Christoph Schuch sets off east. He walks from Frankfurt am Main to Frankfurt (Oder). Most of the time on foot, on partly ancient paths, he crosses five federal states of a country that is slowly recovering from the mildew that has settled over Germany. Some things, like climate change or the open wounds of the landscapes, are clear, other things reveal themselves more at second glance. He encounters inspiring people, bizarre buildings and half a dozen rivers, but also the spirit and ghosts of fascism.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
'Wolf Like Me' works if you want a show to shut off your brain while watching. If you think too much, you'll hurt yourself.
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.