A dream team of six elite climbers mount an expedition to one of the world's last great climbing frontiers: the remote frozen towers of Antarctica. Jimmy Chin and Conrad Anker tackle a new route on the 3,600foot Ulvetanna; Savannah Cummins and Anna Pfaff summit the towering Holtanna; and Alex Honnold and Cedar Wright make a harrowing and hilarious blitz of 13 different spires spread across the ice field, including one pitch that Honnold calls "the scariest I have ever led." Queen Maud Land the name of this icy region showcases a stunning, rarely visited wilderness, and the suffering and vision needed to climb at the bottom of the world.
Hulu continues its Summer releases with The Princess. This film follows the princess (yes, she is unnamed) as she attempts to escape her tower, refusing to be wed to a cruel man vying for the throne. Action-packed and snarky, this is a decently fun film if you need a fighting fix.
The plot lags, the moral lessons are misguided, but are those fluffy little donut creatures adorable? Yes. Yes, they are.
There's no hiding the horrors of war in this inspiring story of survival
Dead Poets Society brilliantly combines defeat and optimism, rejection and love, craziness and daring, fear and freedom.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.
