A Conversation With the Filmmakers of 'When Men Were Men'
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.

On one side, a bunch of crooks. On the other, two sisters. Nothing unites them except an idea: to relieve the bank account of an old man, who happens to be the sisters' father. The crooks devise a plan to gain his trust and swindle him. The sisters make plans for the last years of their father's life without neglecting the small detail of the inheritance. Each one in their own way, they all dream of the possibilities that the old man's money could bring them. But this one will not be easy prey.
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
"65" (2023) is the latest Dino flick to try and answer "what else can we do with dinosaurs?"
This groundbreaking summer blockbuster proves that diversity enhances the action genre.
Some moments of the series are intense and ends on a cliff-hanger that will have you yearning for a second season.