A Lesbian Breakdown of "Honey, Don't!"
It's sexy, regardless of what else is going on.

In the near future, Clarice is a young woman who works as an video editor at a company that records dreams. During her work she meets Maria, a photographer who is temporarily in the city, and is surprised to realize that both had the same dream that night. They enjoy their short time together immersing themselves in two worlds, between shared dreams and reality.
It's sexy, regardless of what else is going on.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Here are some of our picks for inclusive Black love stories in film and media. We hope you enjoy these tender love stories and beautiful depictions.
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
I highly recommend Dark Waters. It’s a highly engrossing picture, which lends itself to cautionary storytelling. The dark information continually grows, inspiring change and accountability altogether. Overall, Haynes’ picture will not be known for its inclusiveness--but it will be known for being a fantastic, engrossing film.
'The Wiz' has the propensity for paying homage to black culture with R&B music, graffiti and jazzy elements that make it incredibly entertaining.