Bring Her Back: the Psychological Threat and How to Grieve Properly
The external threat invaded the domestic environment at the most valuable moment: grieving.

Father and son walk by the surroundings of the village the father used to live. Many things have changed, he, for example. Now he is too "urban" and so is his son. But they just try to enjoy a day at the country.
The external threat invaded the domestic environment at the most valuable moment: grieving.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
A movie that brings Indian culture with classic Bollywood themes and electronic dance music.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.