Recorded performance from the Minos Theater (1999-2000). An English couple, Stanley and Joan, go on a trip to a small village in France. Unable to find accommodation due to a local festival, they end up in a miserable suite in a dilapidated hotel. However, due to a mix-up, Claude, a French businessman who is in the area on business, also ends up in the same suite. Claude takes advantage of his wife's absence and invites a cabaret dancer, Simone, to the suite. But unexpectedly, his wife, Helga, suddenly shows up to surprise him for his birthday! The two couples and the cabaret singer are forced to share the suite and find themselves embroiled in a series of hilarious comic situations. The icing on the cake of their adventures is the crazy hotel owner, his wacky employee, and... a radiator that climbs up to the ceiling!
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
'Free Guy' combines classic Disney (a white heteronormative love story), exploration of popular video games and the culture around them, and Ryan Reynolds adult humor in the best way to make a super fun family flick.
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.
With This is Us now on its fifth season and A Million Little Things on its third, we have a lot of material to entertain the hypothetical: if these two shows got in the ring together, who would come out victorious? Despite the endless recognition for the former’s success, I dare say I’d put my money on A Million Little Things once all is said and done.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
