Reflecting on 'The United States vs. Billie Holiday'
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.

A wealthy collegian falls in love with an heir apparent, but her domineering cousin orders her to end the affair.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.
Some moments of the series are intense and ends on a cliff-hanger that will have you yearning for a second season.
Rare in the days of franchise sequels and indie horror films that dominate the screen in 2026, Netflix’s latest original release, Remarkably Bright Creatures, is a feel-good family movie that leaves nothing to be desired except tissues. Starring Sally Field and Lewis Pullman as two cleaners at a small-town aquarium, Remarkably Bright Creatures reminds viewers that humans are social animals whose strength comes not from our intelligence or our opposable thumbs, but from each other.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.