How Batman: Soul of the Dragon Successfully Sidelined The Dark Knight
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.

Typhus has killed the father, mother and older son of Palanumäe farm. Hind, younger son, realizes that he won't be able to manage the shabby farm alone. Paabu, the wife of older son, is good at housework and Hind likes her; however, more help than that is needed for maintaining the farm. Jaak, the farmhand, does more harm than good. The rumour is around that when converting to orthodoxy one will lead better life in a warm country - this, of course, attracts Hind, but angers the estate owners. How come this young inexperienced man wants something else than serving the Livonian feudals?
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
The second film takes us on Peter's journey to be understood.
Disney/Pixar may see a bit of a turning point with Pixar’s new Disney+ Sparkshorts short film: OUT.