The Stuff of Legend in 'Air'
'Air' is a fun film about a company that put it all on the line for a 22 year old kid from North Carolina

Aliide experienced The Great Terror under Stalin’s regime, and decades after her hometown people were deported to Siberia, she lives alone in an isolated house. One night, she finds a young woman in her yard – Zara has just escaped from the claws of the Russian mafia that held her as a sex slave. Survivors both, Aliide and Zara engage in unearthing each other’s motives and gradually their stories merge into one, revealing the tragedy of a family during the cruelest years in Estonian history.
'Air' is a fun film about a company that put it all on the line for a 22 year old kid from North Carolina
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?