Weapons Shows Intriguing Human Relationships in Mundane American Town Life
For those tranquil houses with white fences, what is happening behind every closed door?

Purani Jeans is a film based on the belief that friendship is like a pair of old jeans—the more you wear them the better it gets. The summer now unfolds more dramatically as the boys make detrimental choices—of love, sex, friendship, jealousy, heartbreaks & betrayal, finally leading to broken bonds of friendship. The film travels with Siddharth as he explores equations with his past—to rebuild friendships with his four friends whom he grew up with in a small town in Himachal Pradesh in India. When Siddharth lands in India from the US, ghosts from his youth loom up. He finally overcomes the complications and sets right all the wrongs done in his past & rediscovers bonds of friendship.I n the end Siddharth goes back to New York a better man; reconciled with his past & most importantly rediscovering a happier today. He returns to New York with the belief that friendship is indeed like Purani Jeans, the older the better!!
For those tranquil houses with white fences, what is happening behind every closed door?
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Writer and producer of 'Remember Me: The Mahalia Jackson Story', Ericka Nicole Malone discusses her humble beginnings in the industry.
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.