Shudder’s 'Cursed Films' (Review)
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.

A young Japanese man finds himself in the company of a strange, effeminate gay man and a girl with a seedy sexual history and who even now is pregnant again. They share a predisposition for drug use and spend time together in an old house. He refuses the advances of the gay man, who then commits suicide. When a gang administers a beating to him, his father re-enters the scene and takes him home, along with the girl. However, the girl has decided to have her baby, and she goes to live with its father.
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
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A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.