Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Punishment Three poster

Punishment Three (1991)

Double Feature. Number 3 of this very popular series is dedicated to those of you who like to see good-guy muscle boys get rip-stripped, tied up, and punished heavily for your dick's private pleasures. Evil Buddy Justice is back and this time his muscle victim is the amazing Trenton Comeaux. This first feature is pure punishment as Justice teaches Comeaux the A thru Z of physical abuse agony. You will be amazed at just how much punishment Trenton Comeaux takes to earn your wad. Feature two is muscle heaven with muscle god Steve Sterling in brutal one-on-one combat with Kurtus Beefcake now famous porn star Scott Randsome. It's Scott that takes the beating from stud Sterling. But the way these two musclestuds maul and manhandle each other will make your dicks drip, drool, and self destruct. Trenton Comeaux takes the beating of his life. And muscleboys Sterling and Randsome beat each other to your cock's content.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Double Feature. Number 3 of this very popular series is dedicated to those of you who like to see good-guy muscle boys get rip-stripped, tied up, and punished heavily for your dick's private pleasures. Evil Buddy Justice is back and this time his muscle victim is the amazing Trenton Comeaux. This first feature is pure punishment as Justice teaches Comeaux the A thru Z of physical abuse agony. You will be amazed at just how much punishment Trenton Comeaux takes to earn your wad. Feature two is muscle heaven with muscle god Steve Sterling in brutal one-on-one combat with Kurtus Beefcake now famous porn star Scott Randsome. It's Scott that takes the beating from stud Sterling. But the way these two musclestuds maul and manhandle each other will make your dicks drip, drool, and self destruct. Trenton Comeaux takes the beating of his life. And muscleboys Sterling and Randsome beat each other to your cock's content.

Rating:
Genre:
Directed By:Daddy Zeus
Written By:
In Theaters:12/31/1991
Box Office:

Runtime:71 minutes
Studio:BG Enterprise

Articles You May Like


Short Film Review "Jamarcus Rose & Da 5 Bullet Holes" - Chasing ambitions, accepting guidance, finding brotherhood, and realizing the fragility of life

Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.

Kirk Fernwood

Amazon Prime's Pretty Lethal: Makes No Sense, Is No Fun

I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before. 

Jo Moses

'The Half of it' Handles its Presented Social Issues Thoughtfully

The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.

Andrea Amoroso