Avatar: The Last Airbender Both Protests and Embodies Colonialism
Avatar: The Last Airbender's success fifteen years after its premiere proves the enduring power of its storytelling. But it's more than just a quality show.

Julie would have given up all her dreams if she had listened to the doctors, her parents and others: the disease was threatening to suffocate her lungs. But the sixteen year old did as she pleased, devouring life to the fullest. Madly in love with her first flirt of the same age, she falls pregnant with him and decides to keep the baby. She hides her pregnancy from her parents, from the doctors, and come what may. Julie has defied the adult world, armed with a conviction in the form of a lesson for all: it is because life can be short that it must be intense.
Avatar: The Last Airbender's success fifteen years after its premiere proves the enduring power of its storytelling. But it's more than just a quality show.
Lucifer is a show with both comedy and drama, but most importantly, has charm. Well aware it’s following a silly premise, the show does so in a way that’s entertaining. Sure, sometimes it can be cheesy, but fun cheese.
It’s a cool looking Marvel character right off the page! He’s got these glowing eyes and he just kicks ass everywhere he goes, seemingly impervious to pain.
A baking competition that delivers cookies ‘n screams.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.