Australian journalist Wilfred Burchett reported the Vietnam War from the perspective of the North Vietnamese. For this he was reviled as a traitor and a communist in the Australian media. He had been the first journalist into Hiroshima after the atom bomb, and he covered wars in Vietnam, Laos and Cambodia. Filmmaker David Bradbury interviews Burchett in his later years and intercuts the interview with archival footage and still photographs. Burchett is seen in newsreel coverage and in footage taken by the North Vietnamese. Archival footage of the Vietnam War and newsreel footage of Hiroshima after the atom bomb enrich the documentary.
Korean pop culture has mastered emotions as both a scientific field and an artistic revolution. Think of how K-Pop and K-Dramas have taken over the world. How? Simply put — they are addictive. How are they addictive?
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
For a young girl who wishes to keep her current traditions, this holiday will end up with a surprise twist.
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.
