“Coyote vs. Acme” and People Power
We are incredibly blessed that this movie is available for us to see, and we should take advantage of the opportunity we’ve been given.

A psychiatrist, a fashion photographer and a detective find their lives intertwined in a curious case involving the disappearance of several male models. A deliciously campy but disturbing thriller that'll keep you guessing. Steven Callahan (David Wittman) is a well respected therapist has just taken on a new client named Christian (Joseph F. Alexandre) who's an aspiring fashion photographer who suffers from a series of bizarre and violent fantasies. As the fantasies become more vivid Steven becomes suspicious these are more than just random thoughts. Simultaneously, foul mouthed detective Tim Poroski (John Thomas) is faced with a series of murders and disappearances of several male models.
We are incredibly blessed that this movie is available for us to see, and we should take advantage of the opportunity we’ve been given.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
Stranger Things season 4 ups the ante to the max! The show’s scope has been expanding for the past three seasons, and boy do they give us a spectacle to behold. As much as I love spectacle, this season occasionally buckles under the weight of its own ambition.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
Turning Red' has received hate for being 'unrelatable' while dealing with one of the most human experiences. Despite the Turning Red controversy that it's unrelatable, it is yet another Pixar classic that will inevitably stand the test of time.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.