When William Conroy (Rob Lowe), a former college professor, is sentenced to life in prison for vehicular manslaughter it seems his life is over. But when a fellow inmate tells him that in the past two years fourteen inmates have died at the prison, and then turns up dead the next day, Conroy realizes he is in more danger than he ever imagined. Conroy's suspicions are confirmed when the van carrying the inmates crashes. Seizing the opportunity, Conroy flees the scene and elicits the help of his lawyer. What the two discover is a grisly murder ring set up within the prison walls that incriminates those at the highest levels of the correctional system.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
The film centers around two young women, Becca and Sam, who were once high school sweethearts until they reconnect in their town.
The [SPOILER-Free] story of Jurassic World: Dominion is that the humans never learned from their mistakes from the previous films, science is still running amok, and the world is paying the price.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
